Fifteen years of looking.
Started loading mags on other people's films, stayed for the moment when a room full of strangers goes quiet at the same frame. Six features later, the job hasn't changed: protect the story from everything, including the photography.
I operate my own camera, argue politely about aspect ratios, and believe most scenes are over-lit by exactly one source.
Habitual format35mm · 2-perf
Glass I'd marryAnamorphic C-series
Digital, when askedLarge format · open gate
BaseLisbon / London
Main Slatefestival premiere ×3
Best Cinematographynational film awards
Jury Mentiondoc competition