The lime-washed facade of the monte at golden hour, shadows long across the courtyard

02 — The House Alto Alentejo · Est. 1780

Four years of patient restoration.

A monte of the Alto Alentejo Three families · Two centuries · One roofline

The story

A house that was
never in a hurry.

The monte was raised in 1780 to work the land, not to look at it. Everything we love about it follows from that.

Walls a metre thick because summer demanded it. Small windows to the west, deep verandas to the south, a courtyard that catches the evening wind off the river. When we began the restoration in 2019, the brief to our architects was one sentence: change nothing that works.

Four years later the house holds thirty guests, a kitchen, a cellar and a library — and still cools itself the way it did when Queen Maria was on the throne. The swallows kept their nests. So did we.

See the suites
The morning room — deep sofas, lime plaster and light from the walled garden

Two centuries

The long version.

1780

The monte is raised

Baltasar Vaz de Almada builds a working farmstead above the river bend — granite footings, taipa walls, a threshing floor that survives as our terrace.

1863

The chapel and the cellar

The second family adds a private chapel and digs the barrel cellar into the hillside. Both stand unaltered; the cellar now rests twelve hundred vintages.

1954

The Salgados arrive

Marta’s grandparents buy the estate with its last harvest still in the barns. Three generations work the cork and the vines through every version of Portugal that follows.

2019

Restoration begins

Thirty-two artisans — masons, carpenters, a lime-plaster crew from Évora — begin four years of work. Ninety-six percent of the materials travel less than forty kilometres.

2024

First guests

Vespera opens with nine suites and one long table. The first dinner runs four hours; nobody asks for the wifi password until day three.

2026

The meadow rewilds

Eleven hectares go back to seed and the fourteenth suite opens in the old granary. The work, as ever, continues slowly.

The house rules

What we hold to.

I

Slowness is the luxury

No schedules pushed under doors. Breakfast runs until noon. Checkout is a conversation, not a deadline.

II

The land comes first

We are a working estate before we are a hotel. Cork, wine and honey pay their own way — guests share the place, not a set.

III

One table

Dinner is communal because the Alentejo is. You may take a tray to your terrace, but you will be missed.

IV

Craft over polish

Hand-thrown plates that don’t quite match. Linen that softens with age. Perfect is the enemy of warm.

V

Privacy without silence

Fourteen suites on two hundred and forty hectares. Solitude is easy to find; so is company, at the hour you want it.

VI

Leave it better

Every stay funds the rewilding ledger — meadow, riverbank, owl boxes. We publish the accounts each winter.

0
Years of restoration
0
Artisans on the roll
0%
Materials from within 40 km
0ha
Meadow returned to the wild

The keepers

The people who
keep the hours.

Portrait of Marta Salgado

Marta Salgado

Keeper of the House

Portrait of João Ferreira

João Ferreira

Chef — The Table

Portrait of Alice Duarte

Alice Duarte

Head Gardener

Portrait of Tomás Reis

Tomás Reis

Estate & Trails

My grandmother said this house had two speeds — harvest, and Sunday. We restored it for the Sundays.
Marta Salgado Keeper of the House
Evening light over the hills west of the estate

The House · Est. 1780

Come see what
patience builds.

Reserve your dates